A squirm-inducing psychological thriller
"Joshua" is set in New York city and focuses on a young family comprising of Brad and Abby Cairn [Sam Rockwell and Vera Farmiga], who seem to lead a charmed life. Brad has a well-paying job, they live in a comfortable city apartment, and they have a 9-year-old son, Joshua [Jacob Kogan] who is also a gifted pianist. There is also a new baby, Lily who seems like a perfect child, quiet and lovable, but this seemingly perfect family portrait slowly unravels into a nightmarish horror as the family is plunged into one crisis after another.
It appears that harmless little Joshua, of the quiet and unassuming character, is not so benign after all. In fact, far from it - Lily's birth seems to be the catalyst that brings forth his psychopathic behavior [arguably simmering within him all along]. At first, the problems seem to have ordinary reasons - Abby seems unable to cope with the demands of motherhood [understandable given her history of depression and PPD], dad Brad seems to be...
Worth a Watch
This flick has been thoroughly summarized so I will skip that portion. Joshua is an overall good, creepy film. Sam Rockwell gives perhaps one of his best performances as a father who can do nothing but watch his family fall apart while some, slip into insanity. Joshua (the movie) has a very slow and deliberate pacing that constantly builds towards the end of the film. This is a clever and well thought out flick that coasted through theaters and onto DVD but none the less is more then worth the price of a rental to check out. Joshua also features a new, very good, Dave Matthews song during the end credits.
Chilling, Immanent Evil
A lot of talk shows have recently been featuring the plight of parents under siege, afraid of their own children - parents who feel compelled to lock their bedroom doors at night. This movie deals with a more creepily contained version of such a problem. The danger isn't quite as blatant or as aggressively relentless as seen on some of the talk shows. But its subtlety makes it all the more chilling.
There are a few obvious cinematic borrowings from other famous suspense films here. For example, you might, at a few points, be reminded of Damien's targeted, juggernaut cycling scene in "The Omen." Then there is a twist on the famous "Potemkin" stairway/baby carriage scene.
But unlike those films, "Joshua" strives for and achieves the more low-key disquiet of mundane reality. And it is made all the more disturbingly realistic by the fact that not only Joshua, but all the family members are shown with at least thread-line cracks running through their...
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